Here's an overview of the week's schedule for mealtimes, classes, check-in and check-out, etc. Note the extracurricular activities such as madrigal singing, English country dancing, and the Great Krummhorn Konklave, as well as a faculty concert.

See the list of classes offered. If you've already registered, please send us your class choices.

Overview of the Weekend

Friday evening

4:00 pm — check-in begins

7:30 pm — Orientation / Toot Membership Meeting, followed by large-group playing

Saturday (note breaks between class times)

Breakfast (7:30-8:30 am, Dining Hall)

Class 1 (8:50-10:10 am)

Class 2 (10:40-12 noon)

Lunch (12 noon-1:00 pm)

Class 3 (1:00-2:15 pm)

Class 4 (2:30-3:45 pm)

Class 5 (4:00-5:15 pm)

Dinner (5:30-6:30 pm, Dining Hall)

Nightly Event (generally starting at 7:30 pm)

Sunday

Breakfast (7:30-8:30 am, Dining Hall)

Class 1 (8:50-10:10 am)

Class 2 (10:40-12 noon)

Check out by noon, and start planning to come to the Summer Toot!

Classes Offered (as of 10/27/2006)

Bauer1	Modal improvisation: improvise in Estampie form, learning modes and modal pattern recognition by ear (with some music handed out later in the lesson)	Mixed group, all levels; for recorders, alto a must, soprano also OK
Bauer2	Browning: 3-5 part consort pieces, 16th century arrangements of a famous folk tune	recorders, upper intermediate to advanced
Bauer3	The Dufay-Dunstable connection; La contenance angloise	recorders, upper intermediate to advanced
Bauer4	English music 1250-1650: selections from "Sumer Is Icumen In" to Holborne consort pieces	recorders, intermediate and up
Bauer5	Baroque Recorder Master Class	recorders, intermediate and up
Frank1	The Italian Canzona: Priuli, Gabrieli, et al	Intermediate to advanced recorders
Frank2	J. S. Bach on Recorders	Intermediate to advanced recorders
Frank3	Dance music from Belgium and Germany: Susato, Widman, and more	Beginning to intermediate recorders
Jan1	Music by Mogens Pederson(1580-1628 or c1584-1623): Swedish court music	recorders, intermediate and up
Jan2	aspects of technique for recorder - tongue and fingers	beginners and lower intermediate through upper intermediate
Jan3	Italian Canzonas; ensemble ambrosia	recorders, intermediate and up
Tom1	Polish music: Music from Poland's Golden Age: 1540-1690	all instruments, intermediate and up
Tom2	shawm class	all levels
Tom3	percussion class	all levels
Doug1	krumhorn class	all levels
Doug2	cornetto class	all levels
Doug3	mixed loud band	shawms, dulcian, sackbut, cornetto; intermediate and up
TomDoug4	recorder ensemble	lower intermediate and up
TomDoug5	mixed ensemble	recorders, voices, strings; all levels
Becky1	Beginning harp	all levels
Becky2	Dances from Attaingnant for multiple harps	all levels
Becky3	Harp accompaniments for all harps and all times	all levels
Becky4	Harp technique(s) explored, and your questions answered	all levels
Bruce1	lute technique	all levels
Bruce2	French/Flemish Renaissance music for lute ensemble	all but beginners
BruceDan3	English lute song class: coaching on style and technique for voice	voice, all levels; lute, intermediate and up
BruceDan4	Airs de cours (song) class: coaching on style and technique for voice	voice, all levels; lute, intermediate and up
BruceBecky5	plucked string ensemble	harps and lutes, all levels
Danny1	Carmina Burana - Music from the original Medieval Hit	voices, winds and strings, all levels
Honey1	Medieval improv for harps	all levels
Honey2	How to put a medieval song together (for strings)	plucked & bowed strings, all levels
Honey3	An Irish/Celtic-y class	all welcome!
John-Mark1	Technique Class: Studying viola da gamba playing as movement. Stretching, tone production, finger action, scales, exercises, etudes, and some Avant-garde repertoire	Viols; all levels, all sizes
John-Mark2	Avant-garde Music: Featuring Terry Riley's In C	All instruments, all levels welcome.
John-Mark3	Music of Christopher Tye: Lots of In nomines and other cantus firmus based pieces. Very beautiful, very weird	Intermediate and advanced viols
John-Mark4	Repertoire of the Viola da Gamba Dojo: A collection of pieces chosen for their beauty and teaching qualities. Works of Taverner, Lawes, Purcell, Sermisy, Bourgeois, Tallis, Isaac, Senfl, Holborne, Ortiz, Praetorius, Kreutzer, Anonymous et alia.	All levels welcome. Intended for viols, but recorder players and others can participate.
John-Mark5	English Consort Class: If the class is advanced, we do Jenkins and Lawes. If not, we do Holborne.	Viols; intermediate to advanced