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Class Schedule
for the 7th Summer Texas Toot 2005
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May 29 - June 4, 2005
The regular classes offered are taught Monday - Friday, two class periods in the morning, and three periods in the afternoon (see an overview of the week's schedule for mealtimes, check-in and check-out, etc). In addition, special nightly activities are scheduled for each evening.
Choose Your Classes! The online version of the Class Schedule contains the most up-to-date version of the class schedule.
Please note that The Texas Toot reserves the right to substitute faculty or to change classes or scheduling due to extenuating circumstances.
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Sunday, May 29
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2:00 pm — on campus check-in begins
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7:30 pm — Orientation, followed by large-group playing
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Monday through Friday (note breaks between class times)
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Breakfast (7:30-9:00 am, Texas Hall)
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Period 1 classes (9:00-10:20 am)
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Period 2 classes (10:40-11:55 am)
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Lunch break (12 noon-1:00 pm)
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Period 3 classes (1:15-2:30 pm)
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Period 4 classes (2:45-4:00 pm)
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Period 5 classes (4:15-5:15 pm)
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Dinner (5:30-6:30 pm, Texas Hall)
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Nightly Event (generally starting at 7:30 pm)
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Saturday, June 4
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Breakfast, then Free time
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10:00 am — 12 noon, Student Concert
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Check out by 2:00 pm, and start planning to come to the Fall Toot!
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Recorder
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Advanced
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Master class focusing on the solo repertoire of Telemann (S. Coolen)
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Trio sonatas and quartets from the high Baroque (S. Coolen)
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Recorder pieces from the German consort repertoire from the 15th — 17th centuries. (F. Blaker)
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Upper Intermediate / Advanced
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Modern ensemble repertoire. (S. Coolen)
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Bach — Art of the Fugue: four-part contrapuncti arranged for recorders. C-basses and contrabass recorders will be needed for some of the pieces. (F. Blaker)
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Upper-Intermediate recorder technique. (F. Blaker)
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Intermediate / Advanced
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Arrangements of the Bach Brandenburg Concerti for recorders, for both small and large ensembles. (S. Coolen)
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Intermediate / Upper Intermediate
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Telemann's duet repertoire. (J. Jackson)
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17th century ensemble class "Schütz and the Other 'S' Guys". (J. Jackson)
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Intermediate
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"German Contrapuntalists of the late Baroque: Bach, Buxtehude and More". (F. Shirley)
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German Music from the times of Lasso to Praetorius". (F. Shirley)
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Technique: "Teaching yourself without a teacher". (J. Jackson)
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Reeds
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All Levels
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Krumhorn Consort music from 16th century Germany. (T. Zajac)
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"Tanz und nachtanz: German dance music of the Renaissance" for "exposed double reeds" (T. Zajac)
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Bowed Strings
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Upper Intermediate / Advanced
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Jenkins consort class — one per part. (M. Bishop)
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"Bach for Viols". (M. Bishop)
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Technique development for all viols. (J. Brown)
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Intermediate / Advanced
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Abel, Telemann, & Schenck for bass viols and continuo — solos & duos. (J. Brown & B. Brogdon)
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Violin band; music by Brade, et. al — for viols, too. (L. Stevens)
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Unaccompanied violin duets by Telemann, etc. (L. Stevens)
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All Levels
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Viol consort music by German composers whose names begin with "S": Senfl, Schein, Scheidt, Schütz, Schmeltzer, Simpson. (M. Bishop)
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Violin: Technique, division playing, and ornaments. (L. Stevens)
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Beginning or intermediate viol — based on requests. (J. Brown)
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Plucked Strings
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All Levels
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Lute technique class; all levels. (B. Brogdon)
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Technique and Fingering for Harp — all levels and all harps welcome — German music sources from the 1500s and 1600s will be used primarily. (B. Baxter)
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Intabulating Early Music for Harp using the Ammerbach Tablaturbuch (1571/1583) for all harps, all levels. (B. Baxter)
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Beginning harp class — you know you've wanted to try! (B. Baxter)
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Harpsichord 101 — offered on a contingency basis. (K. Womer)
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Voice
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All Levels
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Beginning/Intermediate solo-song class; Senfl through Schütz. (J. Overcash & B. Brogdon)
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Advanced solo-song class/master class with continuo; Schütz through Bach. (J. Overcash; K. Womer)
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Vocal ensemble: music by Isaac, Senfl, and more. (J. Overcash & D. Johnson)
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Mixed Ensembles
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All Levels
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Renaissance Men: Isaac, Finck, Senfl, & Lassus (Intermediate — Advanced recorder and viol players and singers; other quiet renaissance instruments also welcome). (F. Blaker)
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"Shhhh! Quiet and lovely music of Schütz, Scheidt, Schein and Schmeltzer" for recorders, soft reeds and strings. (T. Zajac)
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"The Senfl Circle" for recorders, soft reeds, strings, and voices (T. Zajac & J. Overcash)
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Large mixed ensemble class: Altbachsches and Capricornus for strings and voices. (J. Brown & L. Stevens)
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Mixed ensemble for lutes and harps, focusing on 16th c. German ensemble music from Rhau to Praetorius. (B. Baxter & B. Brogdon)
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Please enter your 1st and 2nd choices for each class period
by entering a 1 or a 2 in the corresponding box. After
the 5th period choices, press the button called "Send Class Choices"
to submit them to us. (No, this will not register you again.)
Remember to fill in your name, too!
| Sunday |
7:30 pm |
Orientation meeting and then Group Playing Session. Arrangements of the Bach Brandenburg Concerti for both small and large ensembles of recorders and viols, led by Saskia Coolen..
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| Monday |
7:30 pm |
Arrangements of the Bach Brandenburg Concerti for both small and large ensembles of recorders led by Saskia Coolen; viols will have a separate playing session. The popular ice cream social (Amy's Ice Cream!) will follow.
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| Tuesday |
7:15 pm |
Pre-concert madrigal singing, directed by Frank Shirley.
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8:00 pm |
Concert by soprano Judith Overcash, Bruce Brogdon (lutes), & harpist Becky Baxter. |
| Wednesday |
7:30 pm |
The Great Texas Krummhorn Konklave,
led by Tom Zajac and Susan Richter; site TBA.
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| Thursday |
7:00 pm |
Arrangements of the Bach Brandenburg Concerti for both small and large ensembles of recorders and viols led by Saskia Coolen. |
| Friday |
8:00 pm |
Faculty concert at First Presbyterian Church.
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